Mo Yan wins Nobel prize in literature 2012
Baku, October 12 (AZERTAC). Chinese author Mo Yan, who left school for a life working the fields at the age of 12, has become the first Chinese citizen ever to win the Nobel prize in literature, praised by the Swedish Academy for merging "folk tales, history and the contemporary" with "hallucinatory realism".
The win makes Mo Yan the first Chinese citizen to win the Nobel in its 111-year history: although Gao Xingjian won in 2000, and was born in China, he is now a French citizen; and although Pearl Buck took the prize in 1938, for "her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces", she is an American author.
The Nobel, worth eight million kronor, goes to the writer "who shall have produced in the field of literature the most outstanding work in an ideal direction", with previous winners including Samuel Beckett, Doris Lessing and, last year, the Swedish poet Tomas Tranströmer. Over the past month the Chinese press has become increasingly vocal about the possibility of a Chinese writer taking the award, with commentors equating "bagging the prize to Chinese literature gaining the world`s recognition".
Born in 1955 to parents who were farmers, Mo Yan - a pseudonym for Guan Moye; the pen name means "don`t speak" - grew up in Gaomi in Shandong province in north-eastern China. The cultural revolution forced him to leave school at 12, and he went to work in the fields, completing his education in the army. He published his first book in 1981, but found literary success in 1987 with Hong gaoliang jiazu (Red Sorghum), a novel that an internationally successful movie by director Zhang Yimou, set against the horrific events that unfolded as Japan invaded China in the 1930s.
Speaking to Granta earlier this year, Mo Yan - one of a group of
The eminent professor of Chinese literature Howard Goldblatt, who has translated many of Mo Yan`s works into English, compared the author`s writing to Dickens in a recent interview with China Daily, saying that both write "big, bold works with florid, imagistic, powerful writing and a strong moral core".
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